Article

A post that is representing a written movie review.

Review: The Batman (Carson’s View)

A new Batman. One might ask how could there possibly be a new Batman that is different than the ones we have already seen. We have seen him dark and gloomy. We have seen him grounded in reality. We have seen him fight men who can fly. Unfortunately, we have also seen him neon and ridiculous. Now, we can add gritty and brooding to the list.

The Batman features Robert Pattinson as our new caped crusader. He leans into the “World’s Greatest Detective” title Batman has earned in DC Comics more than we have ever seen before on the big screen. The approach is new and interesting, however, the 3 hour runtime does this a disservice.

When I first saw the original trailer for The Batman, I had hoped they would make it an R Rating rather than PG-13. I understand that would limit accessibility, but this was the right time, cast, feel, and plot to go for it. “Battinson” is in a world without Superman, similar to the Christian Bale version. You do not need to protect these other kid-friendly DC properties as they will never cross-over. This franchise could have stood out from the pack, much like (formerly Netflix’s) Daredevil Series.  Instead, they straddle the line of not really appropriate for kids and not violent enough to make it different from the rest.

Review: Candyman (Carson’s View)

The original Candyman haunted me as a kid.  I made it a point to not walk past a mirror after dark.  Tony Todd brought a daunting presence and sinister voice to the role that is virtually unmatched in the horror genre.  I was excited to see a new direction of Candyman, but there seemed to be a lot of conflicting ideas meshed into one.  It is unfortunate that the creative cinematography wasn’t coupled with a better story.

Candyman is caught somewhere between a sequel and a reimagining.  At times it leads you to believe it is forming it’s own mythology of the character into a new updated direction.  Then it reverts back and falls into the Candyman of old lineage.  It ends up being a convoluted mix of both leaving you with more questions than answers.

If you are looking for jump scares, Candyman is not for you.   It isn’t even a creepy movie that might keep you up at night wondering what will come through the mirror above your dresser.  As far as horror movies go, it is an above average.  But that is typically a pretty low bar.

 

Review: Antebellum (Garrett’s View)

Antebellum feels like a cheap knock-off rather than a rich homage to Get Out and Us.

Review: Antebellum (Carson’s View)

Antebellum is the next victim of the COVID-19 pandemic.  With Lionsgate opting for a digital rather than their planned full theatrical release, Antebellum is going to try to take advantage of the new platform and lack of any solid new competition.  On a budget of less than $15 million, it seems likes a sound strategy.

The main issue the audience should have with Antebellum comes before they ever sit down to watch.  The trailers create a false perception of the type of movie they are about to see.  Using clips and editing tricks that are not in the actual movie, they paint a very different “horror” expectation.  It does still fit in the horror/suspense genre, however, not in the same way the marketing suggests.

Antebellum doesn’t waste any time throwing you right into the terror.  The graphic and disturbing depiction of life on a southern plantation for a slave almost makes you welcome the lull in the middle of the movie.  Janelle Monáe stars, who in the last few years has created quite the filmography for herself.  She doesn’t disappoint by delivering another dynamic performance.

Before you click play on the latest Bruce Willis straight-to-Amazon-Prime-vehicle thinking “I know the last 8 were terrible, but maybe this one will be like Die Hard,” go ahead check out Antebellum instead. It leans more on concept than substance, but is still an entertaining watch. Just do yourself a favor and avoid all trailers.

Review: Ready or Not (Carson’s View)

Ready or Not puts a unique spin on the “People Hunting People” genre

Review: Good Boys (Carson’s View)

The people who will enjoy Good Boys the most are the ones who shouldn’t be allowed to see it in the first place

Review: Hobbs & Shaw (Carson’s View)

Before you spend your hard earned money or valuable time watching Hobbs & Shaw, please do yourself a favor and watch the trailer.  That way you know exactly what you are getting into.  And if you feel like you need some non-stop, over-the-top ridiculousness in your life, then absolutely go get yourself a ticket.

Hobbs & Shaw is just what this summer needed. The first spin-off to the Fast and Furious franchise is an action-packed, light-hearted adventure. The Rock’s usual smoldering charisma is in full force as he brings Jason Statham into comedic banter.  Vanessa Kirby is a fantastic addition to the series. She more than holds her own between two massive egos.  Both title characters deliver their signature ass-kicking styles and many explosions to make you forget all about Vin Diesel.

Hobbs & Shaw is fun.  Movie logic, physics, and common sense were abandoned when making this movie, and that’s okay. They completely lean into the absurdity and that’s what makes it so entertaining. Turn your brain off and enjoy the ride.

Review: I Am Mother (Garrett’s View)

A well-crafted sci-fi movie with enough twists to keep a potentially tropey plot feeling fresh.

Review: The Lion King (2019) (Carson’s View)

The visual effects team truly outdid themselves with this one.

Review: Anna (Carson’s View)

It is an absolute mess to follow with no redeeming qualities